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Part III - Tango Dance

Published online by Cambridge University Press:  15 March 2024

Kristin Wendland
Affiliation:
Emory University, Atlanta
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Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Apprill, Christophe. “Des nuits à danser: passion ou décentrement?” In Tango sans frontiers, edited by Joyal, France, 81113. Québec, Presses de l’Université du Québec, 2010.Google Scholar
Apprill, Christophe. “L’hétérosexualité et les danses de couple.” In Hétéros: Discours, lieux, pratiques, edited by Catherine Deschamps, Laurent Gaissad, and Taraud, Christelle, 97108. Paris: Epel Éditions, 2009.Google Scholar
Ayral, Sylvie and Raibaud, Yves, eds. Pour en finir avec la fabrique des garçons. Bordeaux: Maison des sciences de l’Homme d’Aquitaine, 2014.Google Scholar
Castro, Donald S. The Argentine Tango as Social History (1880–1955): The Soul of the People. New York: Edwin Mellen Press, 1991.Google Scholar
García Blaya, Ricardo. “Reflexiones sobre los origenes del tango.” Todotango. Accessed July 25, 2022, www.todotango.com/historias/cronica/103/Reflexiones-sobre-los-origenes-del-tango/.Google Scholar
Hess, Rémi. Le tango. Paris: Presses universitaires de France, 1996.Google Scholar
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Further Reading

Anzaldi, Franco Barrionuevo. “The New Tango Era in Buenos Aires: The Transformation of a Popular Culture into a Touristic ‘Experience Economy’.” Paper presented at the II ISA Forum of Sociology, Buenos Aires, August 1–4, 2012.Google Scholar
Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996.Google Scholar
Cara, Ana C.Entangled Tangos: Passionate Displays, Intimate Dialogues.” Journal of American Folklore 122, no. 486 (Fall 2009): 438465.CrossRefGoogle Scholar
Carozzi, María Julia. “Light Women Dancing Tango: Gender Images as Allegories of Heterosexual Relationships.” Current Sociology 61, no. 1 (January 2013): 2239.CrossRefGoogle Scholar
Delgado, Celeste Fraser, and Esteban Muñoz, José. “Rebellions of Everynight Life.” In Everynight Life: Culture and Dance in Latin/o America, edited by Delgado, Celeste Fraser and Muñoz, José Esteban, 932. Durham, NC: Duke University Press, 1997.CrossRefGoogle Scholar
Pelinski, Ramón Aldolfo. El tango nómade: ensayos sobre la diáspora del tango. Buenos Aires: Corregidor, 2000.Google Scholar
Pellarolo, Sirena. “Queering Tango: Glitches in the Hetero-National Matrix of a Liminal Cultural Production.” Theater Journal 60, no. 3 (October 2008): 409431.CrossRefGoogle Scholar
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Further Reading

Benzekry Sabá, Gustavo. 2015. The Quest for the Embrace: The History of Tango Dance 1800–1983. Urquillo: Editorial Abrazos.Google Scholar
Carozzi, María Julia. Aquí se baila el tango: Una etnografía de las milongas porteñas. Buenos Aires: Siglo Veintiuno Editores, 2015.Google Scholar
Denniston, Christine. The Meaning of Tango: The Story of the Argentine Tango. London: Portico Books, 2007.Google Scholar
Kimmel, Michael. “A Cognitive Theory of Joint Improvisation: The Case of Tango Argentino.” In The Oxford Handbook of Improvisation in Dance edited by Vida, L. Midgelow, 563591. New York: Oxford University Press, 2019.Google Scholar
Lavocah, Michael. Tango Stories: Musical Secrets. Norwich: Milonga Press, 2014.Google Scholar
Liska, Mercedes. “The Geopolitics of Queer Tango: From Buenos Aires to a Community of Translocal Practice.” In Made in Latin America: Studies in Popular Music, edited by Mendívil, Julio and Espinosa, Christian Spencer, 125134. New York: Routledge, 2016.Google Scholar
Liska, MercedesDancing in High Heels: A Material Culture Approach to Argentine Tango.” In Social Matter(s): Recent Approaches to Materiality, edited by Bampilis, Tryfon and Keurs, Pieter ter, 91116. Münster: LIT Verlag, 2014.Google Scholar
Stepputat, Kendra. “Tango Musicality and Tango Danceability: Reconnecting Strategies in Current Cosmopolitan Tango Argentino Practice.” the world of music (new series) 9, no. 2 (2020): 5168.Google Scholar
Stepputat, KendraTango Journeys: Going on a Pilgrimage to Buenos Aires.” In Dance. Senses. Urban Contexts: Proceedings of the 29th Symposium of the ICTM Study Group on Ethnochoreology, edited by Stepputat, Kendra, 195205. Aachen: Shaker Verlag, 2017.Google Scholar
Stepputat, Kendra, and Djebbari, Elina. “The Separation of Music and Dance in Translocal Contexts.” world of music (new series) 9, no. 2 (2020): 530.Google Scholar

Further Reading

Agunos, Misha. “Are You Actually Dancing Tango If You Aren’t Dismantling Systems of Oppression?” Oxygen Tango, June 10, 2021. www.oxygentango.com/blog/tangoandoppression.Google Scholar
Biss, Eula. On Immunity: An Inoculation. Minneapolis: Graywolf Press, 2014.Google Scholar
Del Mazo, Mariano, and D’Amore, Adrián. Quien Me Quita Lo Bailado. Buenos Aires: Ediciones Corregidor, 2001.Google Scholar
Fabiano, Sharna. Lead and Follow: The Dance of Inspired Teamwork. Virginia Beach: Koehler Books, 2021.Google Scholar
Kral, German. Un tango más. Culver City: Strand Releasing Home Video, 2016.Google Scholar
Londoño, Ernesto. “‘A Caricature of the Patriarchy’: Argentine Feminists Remake Tango.” New York Times, October 5, 2019. www.nytimes.com/2019/10/05/world/americas/argentina-tango-gender.html.Google Scholar
McGowan, Charis. “All-Women Argentina Tango Festival Calls for End to Machismo,” Al Jazeera, March 12, 2019. www.aljazeera.com/news/2019/3/12/all-women-argentina-tango-festival-calls-for-end-to-machismo.Google Scholar
Merritt, Carolyn. Tango Nuevo. Gainesville: University Press of Florida, 2012.CrossRefGoogle Scholar
McMains, Juliet. “Rebellious Wallflowers and Queer Tangueras: The Rise of Female Leaders in Buenos Aires’ Tango Scene,” Dance Research 36, no. 2 (2018): 173197.CrossRefGoogle Scholar
Runyan, Christine. “What’s Happening in Our Nervous Systems?” Interview by Krista Tippett, On Being, March 18, 2021. https://onbeing.org/programs/christine-runyan-whats-happening-in-our-nervous-systems/.Google Scholar

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