Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-848d4c4894-x24gv Total loading time: 0 Render date: 2024-05-18T22:20:21.528Z Has data issue: false hasContentIssue false

Part II - Tango Song

Published online by Cambridge University Press:  15 March 2024

Edited by
Kristin Wendland  and
Kacey Link
Kristin Wendland
Affiliation:
Emory University, Atlanta
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Cambridge Companion to Tango , pp. 131 - 170
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Aimaretti, María. “Sutiles astucias de la voz: potencia y fragilidad en la representación de las cancionistas Libertad Lamarque y Tita Merello en dos films argentinos.” Imagofagia 15 (2017): 1–35.Google Scholar
Barrancos, Dora. “Moral sexual, sexualidad y mujeres trabajadoras en el período de entreguerras.” In Dora Barrancos: Devenir feminista. Una trayectoria político-intelectual, compiled by Ana Laura Martín and Adriana María Valobra, 397–424. Buenos Aires: Editorial de la Facultad de Filosofía y Letras, 2019.Google Scholar
Florencia, Calzón Flores. “El sistema de estrellas en Argentina durante los cuarenta y cincuenta: el caso de Tita Merello.” Montajes: Revista de Análisis Cinematográfico, Vol. 2 (2013): 53–73.Google Scholar
Dalbosco, Dulce María. “Préstame tu voz: acerca de la enunciación femenina en las letras de tango.” Chasqui. Revista de literatura latinoamericana XLIV (2015): 180–195.Google Scholar
Dos Santos, Estela. Las mujeres del tango. Buenos Aires: Centro Editor de América Latina, 1972.Google Scholar
Gil Lozano, Fernanda. “Género y representaciones femeninas en el cine sonoro argentino.” In Historia de luchas, resistencias y representaciones. Mujeres en la Argentina, siglo XIX y XX, edited by Bravo, María Celia, Lozano, Fernanda Gil, and Pita, Valeria Silvina, 391–406. San Miguel de Tucumán: Edunt, 2008.Google Scholar
Cecilia, Gil Mariño. El mercado del deseo. Tango, cine y cultura de masas en la Argentina de los ’30. Buenos Aires: Teseo, 2015.Google Scholar
Liska, Mercedes. “Se dice de ‘ella’. Sentidos de género en los discursos biográficos sobre Tita Merello.” Revista Argentina de Musicología 22, no. 1 (2021): 101–144. https://ojs.aamusicologia.ar/index.php/ram/article/view/350.Google Scholar
Ramos López, Pilar. “Escribir hoy sobre la historia, la música y las mujeres.” Música e Investigación 30 (2022): 79–102. https://inmcv.cultura.gob.ar/noticia/musica-e-investigacion-30-2022/.Google Scholar
Venegas, Soledad. “Narrativas de nación: tango y género en los años veinte.” Revista Argentina de Musicología 23, no. 1 (2022): 180–205. https://ojs.aamusicologia.ar/index.php/ram/article/view/402.Google Scholar

Further Reading

Archetti, Eduardo. Masculinities: Football, Polo, and the Tango in Argentina. New York: Berg, 1999.Google Scholar
Corradi, Juan. “How Many Did It Take to Tango? Voyages of Urban Culture in the Early 1900s.” In Outsider Art: Contesting Boundaries in Contemporary Culture, 194–214, 1997.Google Scholar
Francfort, Didier. “Le tango, passion allemande et européenne, 1920–1960.” In Littératures et musiques dans la mondialisation: XXe–XXIe siècles, edited by Fléchet, Anaïs and Lévy, Marie-Françoise. Paris: Publications de la Sorbonne, 2015.Google Scholar
Garramuño, Florencia. Modernidades primitivas: tango, samba y nación. Buenos Aires: Fondo de Cultura Económica, 2007. [Primitive Modernities: Tango, Samba, and Nation. Stanford, CA: Stanford University Press, 2011].Google Scholar
Ibarlucía, Ricardo. “La perspectiva del zorzal: Paul Celan y el ‘Tango de la muerte.’” Revista Latinoamericana de Filosofía 30, no. 2 (2004): 287–312.Google Scholar
Matallana, Andrea. Qué saben los pitucos: la experiencia del tango entre 1910 y 1940. Buenos Aires: Prometeo, 2008.Google Scholar
Nudler, Julio. Tango judío: del ghetto a la milonga. Buenos Aires: Editorial Sudamericana, 1998.Google Scholar
Salas, Horacio. El tango. Buenos Aires: Planeta, 1986.Google Scholar
Santamaría-Delgado, Carolina. “Tango’s Reterritorialization in Medellín: Gardel’s Myth and the Construction of a Tanguero Local Identity.” The Musical Quarterly 92, nos. 3–4 (September 21, 2009): 177–209.CrossRefGoogle Scholar
Tallón, José Sebastián. El tango en sus etapas de música prohibida. Buenos Aires: Instituto Amigos del Libro Argentino, 1959.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×