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19 - Tango Studies Abroad: Gustavo Beytelmann and Codarts University

from Part IV - Interdisciplinary Tango Studies

Published online by Cambridge University Press:  15 March 2024

By
Bárbara Varassi Pega
Edited by
Kristin Wendland  and
Kacey Link
Kristin Wendland
Affiliation:
Emory University, Atlanta
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Summary

Bárbara Varassi Pega’s chapter represents how tango studies have become institutionalized in her case study of the Tango Department at Codarts University in the Netherlands. She focuses on the work of its founder Gustavo Beytelmann (b. 1945) and the educational exchange with scholars and practitioners in Argentina.

Keywords

Tango at Codarts UniversityGustavo Beytelmanntango and education
Type
Chapter
Information
The Cambridge Companion to Tango , pp. 331 - 346
Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Bor, Joep. “Studying World Music: The Next Phase.” In Teaching Musics of the World: The Second International Symposium, Basel, October 14–17, 1993, edited by Lieth-Philipp, Margot and Gutzwiller, Andreas, 61–81. Affalterbach: Philipp, 1995.Google Scholar
“Manual Artistic Research Design: Methodology toolbox for research in-and-through artistic performance and creation.” Rotterdam: Codarts University of the Arts, 2021.Google Scholar
García Brunelli, Omar. “Los estudios sobre tango observados desde la musicología. Historia, música, letra y baile.” El oído pensante 3, no. 2 (2015): 68–99. http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7463.Google Scholar
Gonnet, Daniel H. “La construcción de conocimientos pluriversales en la escena del tango de principios de siglo XXI. La experiencia de la Escuela Orlando Goñi.” Revista Internacional de Educación Musical 5 (2017): 111–118. www.revistaeducacionmusical.org/index.php/rem1/article/view/127.CrossRefGoogle Scholar
Peralta, Julián. La orquesta típica: mecánica y aplicación de los fundamentos técnicos del tango. Buenos Aires: Departamento de Impresiones de la H. C. D. de la Provincia de Buenos Aires, 2008; and later The Tango Orchestra: Fundamental Concepts and Techniques, trans. Morgan James Luker. Warwickshire, UK: Tanguero Publishing/Presto Music, 2016.Google Scholar
Scherbovsky, Natacha. “Julián Peralta: Hacemos tango desde este lugar de resistencia.” La Tinta (March 15, 2017). https://latinta.com.ar/2017/03/julian-peralta-hacemos-tango-desde-este-lugar-de-resistencia/.Google Scholar
Serafini, A. 2016. “Yeites de tango. Análisis de gestos musicales y técnicas extendidas en el tango para su utilización creativa y pedagógica.” Paper presented at I Congreso Internacional de Música Popular, La Plata, October 2016. La Plata: SEDICI, Repositorio Institucional de la Universidad Nacional de La Plata, http://sedici.unlp.edu.ar/handle/10915/77184.Google Scholar
Varassi Pega, Bárbara. The Art of Tango. New York: Routledge, 2021.Google Scholar

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